2009 DENVER POSITION APPLAUSE GRANTS: ALL THE WINTERNALS
The Denver Post Ovation Awards have respected a many appropriate in Colorado dope around given 2001. This year, 159 productions by 63 companies were deliberate in 3 divisions, with 36 companies reception nominations as good as eighteen winning awards.
The Arvada Center led a approach with 6 prizes, together with many appropriate low-pitched ("Miss Saigon"). Curious Theatre took many appropriate year by a association for a fifth time in 8 years, mostly upon a strength of a harrowingly pleasing "Eurydice," a bizarre as good as comfortless story of a lady outcast to a black market by a father whose usually crime is he can't keep his eyes off of her.
The 2009 "best year by an actor" awards went to a bustling Michael Bouchard, who played 7 purposes for a Creede Repertory Theatre as good as dual for a Arvada Center; as good as Buntport consternation during Hannah Duggan, who again valid how many bent it takes to have people laugh.
Jeffrey Nickelson, a owner of Shadow Theatre whose intolerable genocide Sept. 5 continues to resonate via a Colorado dope around community, is a initial post-mortem target of a Lifetime Achievement Ovation Award.
A finish list of Ovation Award winners follows.
John Moore: 303-954-1056 or jmoore@denverpost.com
CATEGORY 1: BEST IN COLORADO THEATER
Theater chairman of a year: Kathleen M. Brady
The year: "Richard III" (Duchess of York), "A Prayer for Owen Meany" (cook), "Quilters" (Sarah), "The Voysey Inheritance" (Mrs. Voysey) as good as "Well" (Ann)
Representative quote: John Moore, The Denver Post: "When a 'Quilters' garb sang, 'She's a a single who creates a light shine,' of mama Sarah, they additionally sang of Kathleen M. Brady, mama as good as anchor of a Denver Center Theatre Company who
plays her. From a impulse a comparison partial of of a behaving association standing her head, stiffened her mouth as good as non-stop her mouth to sing, it was transparent this assembly would be in a regard of Brady's immeasurable familiar for an dusk which paid expressive reverence to a strength as good as suggestion of colonize
women. "Well" after put Denver Center's many dear singer in her ultimate purpose of a lifetime. Every time, she pulled behind usually in time to equivocate a consistent trap of comic helplessness."
Readers' preference selecting by expel of characters votes (based upon 2,114 singular online voters; confidant indicates central winner):
1. Maurice Lamee, Creede Repertory Theatre, 27.9 percent
2. Jeffrey Nickelson, Shadow Theatre Company founder, 24.9 percent
3. Kathleen M. Brady, Denver Center Theatre Company, 14.8 percent
4. Steve Wilson, PHAMALy as good as Mizel Center, 12.2 percent
5. Christy Montour-Larson, executive as good as educator, 11.3 percent
6. Keith L. Hatten, Shadow Theatre Company inventive director, 1.6 percent
Others: 7.3 percent
To review a finish story upon Kathleen M. Brady's selection, click here.
Best year by a company: Curious Theatre
The year:
"Rabbit Hole"
"Eurydice"
"26 Miles"
"Yankee Tavern"
"Ameriville"
Representative quote: Moore: "Curious has won this endowment 5 of a past 8 years, as good as this competence have been a many competitive. Creede Rep staged dual world-premiere musicals simultaneously. Buntport's 3 strange universe premieres enclosed a single drama, a single humerous entertainment as good as a initial ever musical. Colorado Shakespeare Festival's 'To Kill a Mockingbird' packaged a Mary Rippon outside dope around with crowds not seen given Val Kilmer played Hamlet. But Curious usually kept we do what it does many appropriate – capably entertainment zero though functions which have never prior to been seen in Denver. And 2009 brought extensive accumulation as good as a coherence of value that, after all these years, competence have it easy to take Curious for granted."
Readers' preference selecting by expel of characters votes (bold indicates central winner):
1. Creede Repertory Theatre, 31.3 percent
2. Buntport Theater, 17.8 percent
3. Curious Theatre, 16.8 percent
4. TheatreWorks, 12.8 percent
5. Colorado Shakespeare Festival, 10.6 percent
6. Rocky Mountain Rep, 4.7 percent
Others 6.0 percent
Best year by an actor: Michael Bouchard
The year: Creede Rep's "Swiss Family Robinson" (Ernst), "The Imaginary Invalid" (Dr. Gastreau), "A Wonderful Noise" (Ned), "Boomtown" (Ensemble), "Kimberly Akimbo" (Jeff), "CRT Songbook" (Ensemble) as good as "Grimm Pajamas" (Wilhelm); Arvada Center's "The Second Tosca" (Nathaniel) as good as "Honk" (Cat).
Representative quote: Moore: "Michael Bouchard is a many appropriate singer you've substantially never seen, carrying outlayed many of his past 6 years behaving for a Creede Repertory Theatre 250 miles southwest of Denver. He's a cerebral, unusual singer with a blessed/cursed babyface which last summer again landed him teen purposes in all from comedies ('Kimberly Akimbo') to musicals ('Swiss Family Robinson'). But any a single who saw 'Slabtown' in 2005 knows Bouchard is usually as means of personification forceful, aroused characters. In a boggling, bustling 2009 which enclosed winning turns during Moliere, children's theater, barbershop peace as good as many more, Denver audiences eventually got a glance during what Bouchard can do when he bent during a Arvada Center as a lovesick songwriter in "The Second Tosca." Seriously, if any inventive executive in locale knew what this male can do, they'd all be fighting over him."
Readers' preference selecting by expel of characters votes (bold indicates central winner):
1. Michael Bouchard, 35.2 percent
2. John Arp, 22.4 percent
3. Jim Hunt, 19.0 percent
4. Stephen Weitz, 12.5 percent
5. Scott Beyette, 8.5 percent
Others, 2.4 percent
Best year by an actress: Hannah Duggan
The year: Buntport Theater's "Seal. Stamp. Send. Bang." (Daphne), "The Squabble" (Alfred as good as others), "Indiana, Indiana" (Ruby as good as others) as good as "Something Is Rotten" (Janice Haversham).
Representative quote: Moore: "Hannah Duggan is which singular stand up comic whose grin can have any a single who sees it repeat after her. Her Janice Haversham character, who entertained a throng prior to 'Something is Rotten,' was an huge treat. As an endearing new-age folkster introducing her assembly to Shakespeare, Duggan was droll from her initial word to her last eyebrow twitch. Her righteous mother in 'Indiana, Indiana' suggested her substantial thespian capabilities. But though question, a prominence of a dope around year came in Buntport's strange paradoy/homage to musicals called 'Seal. Stamp. Send. Bang.' Duggan played Daphne, a sleek gal with a nasal distress which finished her call similar to a pig. And when Daphne pennyless in to a aria 'My Bomb as good as I' whilst pressed inside a mailbox watchful to be mailed, Duggan sent a uncover in to a stratosphere. She's a writer/performer who can get to a stupidity of any have a disproportion faster than Tina Fey. She's endearing as good as whimsical, with a sensibility of a comic murderer sneaking not distant underneath which pinchable smile."
Readers' preference selecting by expel of characters votes (bold indicates central winner):
1. Diana Dresser, 36.5 percent
2. Karen Slack, 24.2 percent
3. Hannah Duggan, 15.4 percent
4. Jamie Ann Romero, 14.7 percent
5. Paige Lynn Larson, 8.4 percent
Others, 0.8 percent
Best drama: Curious' "Eurydice"
Representative quote: Moore: "Sarah Ruhl's puzzling take upon a age-old story of Orpheus as good as Eurydice leaves a earthy understand of a poem up to a imaginations of those who theatre it. Curious Theatre adopted a stylized, Jazz Age pattern whilst formulating a universe where an conveyor (inside which it rains) is your portal to hell; where earthworms broach mail in in in between worlds; where umbrellas dot a sky similar to clouds; where we review with your feet. And where duration adore songs similar to 'Beyond a Sea' concede to deftly suitable stone lyrics similar to a Doors' 'Learn to forget.' And nonetheless executive Chip Walton's many adventurous creation was selecting to choreograph scarcely a finish tale. Ballet Nouveau inventive executive Garrett Ammon brought a earthy stroke to a storytelling which suited a intonation of a disproportion as good as a issuing of a onstage water. Strange, illusory as good as visually exquisite, 'Eurydice' parched audiences with a mental recall no showering competence shortly rinse away."
Readers' preference selecting by expel of characters votes (bold indicates central winner):
1. Colorado Shakespeare Festival's "To Kill a Mockingbird," 34.1 percent
2. Curious' "Eurydice," 18.8 percent
3. Arvada Center's "The Crucible," 18.4 percent
4. Aurora Fox's "The Skin of Our Teeth," 15.7 percent
5. TheatreWorks' "Our Town," 5.5 percent
6. Buntport's "Indiana, Indiana," 2.1 percent
Others, 6.4 percent
Best musical: Arvada Center's "Miss Saigon"
Representative quote: Moore: "The Arvada Center's unusual prolongation had it all: Gorgeous voices, liquid view as good as eye-popping costumes to match. Deeply relocating performances. Reasonably racial casting. And, yes, even which reprobate helicopter. The ostentatious whirlybird came to be a pitch of a marvellous additional of '90s low-pitched dope around in New York. In Arvada, it's an observable matter which whatever we can do, we can do better. Or during slightest usually as well."
Readers' preference selecting by expel of characters votes (bold indicates central winner):
1. PHAMALy's "Man of La Mancha," 24.7 percent
2. Arvada Center's "Miss Saigon," 21.4 percent
3. Shadow Theatre's "Smokey Joe's Café," 18.5 percent
4. Candlelight Dinner Playhouse's "Phantom," 14.9 percent
5. Carousel Dinner Theatre's "Rent," 11.9 percent
6. Buntport's "Seal. Stamp. Send. Bang.," 2.6 percent
Best comedy: Aluminous Collective's "Big Love"
Representative quote: Moore: "This improbably smashing prolongation detonate out of nowhere. 'Big Love' was an huge celebration staged by a mint association which quietly incited dope around gathering upon a hokey-pokey head, whilst still handling to comfortable – as good as mangle – your heart. Charles Mee's 2002 melodramatic hybrid transforms an obscure, full of blood Greek tragedy in to a gloriously beautiful mash-up of matrimony kitsch, cocktail stone as good as a very aged nonetheless fast protocol of objectifying women. (There competence even have been drum skates.) This la mode reinvention of Aeschylus' 'The Suppliant Women' takes an very aged grounds – 50 reluctant sisters have been betrothed to their cousins in matrimony – as good as attacks it from a complicated sensibility. 'Big Love' was a many desirable – as good as in conclusion chilling – event of a tumble social, er, dope around season."
Readers' preference selecting by expel of characters votes (bold indicates central winner):
1. Creede Rep's "The Imaginary Invalid," 32.0 percent
2. Aluminous Collective's "Big Love," 20.9 percent
3. Colorado Shakespeare Festival's "Much Ado About Nothing," 17.5 percent
4. The Avenue's "Die, Mommie, Die!," 15.2 percent
5. Buntport's "The Squabble," 13.2 percent
Others, 1.2 percent
Best brand brand brand brand new work: LIDA Project's "Joseph K"
Written by: Martin McGovern
Representative quote: Moore: "Denver playwright Martin McGovern's vivid brand brand brand brand new dope around imagines Franz Kafka as he's essay an additional story – 'The Trial,' a frightening cautionary story of a male who wakes upon his 30th birthday usually to be arrested for a crime that's never specified. The assign is irrelevant. That's a point. 'The Trial' was Kafka's specific satirization of bureaucracy as good as capitalism in 1924 Germany, though it resonates with any Tom, Dick or Kaczynsky with a shop-lifting theory, a beef opposite a supervision – or an affinity for 'Lost.'
Actor, thespian role: Chris Kendall
Role: Picasso, Miners Alley Playhouse's "A Picasso"
Representative quote: Kurt Brighton: "In this suppositious two-character dope around set in 1941, Pablo Picasso is vital in Nazi-occupied Paris. He is incompetent to uncover his 'decadent' art, but, as a Spanish expatriate, conjunction is he compulsory to offer in a Spanish Civil War, nor constrained to quarrel for France. And his gossamer balance is about to be dissapoint by a assembly with a Gestapo representative played by Paige Lynn Larson. As Picasso, we never disbelief Kendall's authenticity, from his initial jarred moments prior to his interrogator arrives to slipping simply in to a assured Picasso persona. Kendall as good as Larson reason up an infrequently pointed counterpart to an over-examined, larger-than-life, near-fictionalized Artiste (with a collateral A), as good as uncover us a male as good as a artist from a opposite perspective."
Note: This prolongation will be regenerated upon Friday nights via Jan during a Mercury Café (303-935-3044)
Readers' preference selecting by expel of characters votes (bold indicates central winner):
1. Sam Gregory, Atticus Finch, Colorado Shakespeare Festival's "To Kill a Mockingbird," 47.1 percent
2. Keith L. Hatten, Shadow's "Ma Rainey's Black Bottom," 16.7 percent
3. Brian Landis Folkins, Paragon's "Love Song," 13.7 percent
4. Chris Kendall, Miners Alley Playhouse's "A Picasso," 10.2 percent
5. Jonathan Farwell, Bas Bleu's "I'm Not Rappaport," 7.8 percent
Others, 4.5 percent
Actress, thespian role: Rachel Fowler
Role: Becca, Curious' "Rabbit Hole"
Representative quote: Moore: "Grief is a many indeterminate of emotions. The genocide of a child creates a opening which can siphon relatives in to an inevitable spiral of hurt. More than a child can be mislaid along a way. Here, pique has sent Becca (Rachel Fowler) as good as Erik Sandvold (Howie) upon apart journeys. Fowler's firmly tranquil opening is already haunting, as good as upon a approach to being a single for a books. It's a correct specificity in how she folds her son's clothes. How she reacts to headlines which her sister is pregnant. How a revisit from a motorist who killed her son kicks in her asleep motherly instincts. The immature male opens a doorway which allows a being to hide in which Becca's son will never have a prom; which she'll never assistance adorn his dorm room. The impulse packs a belt we don't have to be a mother to feel."
Readers' preference selecting by expel of characters votes (bold indicates central winner):
1. Rachel Fowler, Curious' "Rabbit Hole," 31.1 percent
2. C. Kelly Leo, Arvada Center's "The Crucible," 24.7 percent
3. Haley Johnson, Miners Alley Playhouse's "Enchanted April," 18.3 percent
4. Gina Wencel, Germinal's "The Eccentricities of a Nightingale," 12.2 percent
5. Carolyn Valentine, Paragon's "Old Times," 7.7 percent
Others, 6.0 percent
Actor, low-pitched role: Erik Bryan
Role: The Phantom, Candlelight Dinner Playhouse's "Phantom"
Representative quote: Moore: "This grand prolongation is sensitive in partial by a turning point 2006 'Phantom' prolongation during a late Country Dinner Playhouse. Again starring Tracy Venner Warren in her signature role, Erik Bryan stairs up from personification a Count de Chandon to receiving upon a masked a single himself. And he's sensational, with a bravura effort infused with usually sufficient annoy as good as disadvantage to have this tortured, impersonal torpedo achingly sympathetic. When he as good as Warren sing together, it's crystalline. This is a a single we've been watchful for from a Candlelight Dinner Playhouse."
Readers' preference selecting by expel of characters votes (bold indicates central winner):
1. Dylan Paul, Chad, Rocky Mountain Rep's "All Shook Up," 31 percent
2. Erik Bryan, Candlelight Dinner Playhouse's "Phantom," 22.2 percent
3. David Villella, Arvada Center's "Evita," 16.1 percent
4. Scott Beyette, Boulder's Dinner Theatre's "Singin' in a Rain," 15.2 percent
5. Seth Caikowski, Town Hall Arts Center's "Oklahoma," 11.7 percent
Others, 3.8 percent
Actress, low-pitched role: Regan Linton
Role: Aldonza, PHAMALy's "Man of La Mancha"
Representative quote: Moore: "Talk about withdrawal it all upon a floor. Regan Linton, personification a Gothic prostitute Aldonza, crawls behind onto a theatre after carrying been scorched by a squad of brutes. Raging with annoy as good as vulnerability, she berates a delusional aged dope Don Quixote for stuffing her conduct with a anticipation of probable politeness in a world. It's in a script. … But this singer is inept subsequent a chest. Her character's wheelchair carrying been stolen during a staged assault, Linton is right divided writhing opposite a building in a usually approach she physically can. As she sings a sour lamentation 'Aldonza,' it takes any unit of patience not to jump from your chair as good as assistance her up.It's usually a kind of theatre impulse which creates Denver's veteran infirm dope around association opposite from all others."
Readers' preference selecting by expel of characters votes (bold indicates central winner):
1. Regan Linton, PHAMALy's "Man of La Mancha," 30.6 percent
2. E.J. Zimmerman, Arvada Center's "Miss Saigon," 28.4 percent
3. Mildred Ruiz, Curious' "Ameriville," 13.6 percent
4. Alisa Metcalf-Vaughters, Performance Now's "Evita," 12.7 percent
5. Kelly Twedt, Victorian Playhouse's "The Fantasticks," 10.7 percent
Others, 4.0 percent
Actor, comedic role: Eric Mather
Role: The Visitor, Miners Alley Playhouse's "The Visitor"
Representative quote: Kurt Brighton: "Frenchman Eric Emmanuel-Schmitt's quick dope around lets us demeanour in upon Sigmund Freud as he ponders signing a Gestapo-penned paper which would concede him as good as his daughter to flee, abandoning a nation as good as people they adore to a Nazis. But this is no elementary probity story combined in viewable slashes of black as good as white. That's since The Visitor of a pretension (played by Eric Mather) claims to be God, as good as he has a comprehension as good as wherewithal to rivet Freud in a philosophical as good as devout discuss of a lifetime. Wearing a tip shawl as good as tails, The Visitor dissects a disaster humans have finished all by themselves, replacing idea in God with idea in a poise over everything, a vale ceremony of wealth. In a opening kaleidoscopic with sadness, Mather's loyal gifts gleam when he utters waggish one-liners with exquisite comic timing."
Readers' preference selecting by expel of characters votes (bold indicates central winner):
1. John Arp, Argan, Creede Rep's "The Imaginary Invalid," 44.2 percent
2. Geoffrey Kent, Colorado Shakespeare Festival's "Much Ado About Nothing," 24.5 percent
3. Chris Whyde, The Avenue's "Die, Mommie, Die!" 14.3 percent
4. Eric Mather, Miners Alley Playhouse's "The Visitor," 10.7 percent
5. Ed Baierlein, Germinal's "The Well of a Saints," 6.1 percent
Others, 0.2 percent
Actress, comedic role: Judy Phelan-Hill
Role: Kimberly, Vintage's "Kimberly Akimbo"
Representative quote: Bob Bows: "David Lindsay-Abaire's quirky 2000 humerous entertainment is a story of a 16-year-old lady with a singular healing condition which ages her during 4 1/2 times a normal rate. The pride provides a smashing event for a grown up singer to dope around a teen who should be entrance of age though is wizened as good as correct over her years. Judy Phelan-Hill, who has overwhelmed us over a years with her dry as good as irritable quick thoughts (often during this same site of a strange Avenue Theater), brings pleasant bursts of girlishness to Kimberly, a high-school septuagenarian possessing measures of heart as good as thoughts distant in additional of her New Jersey working-class parents. Together, Phelan-Hill as good as Michael Hawthorne (as geeky companion Jeff) move lift-off to Lindsay-Abaire's moody of aptitude as Kimberly as good as Jeff try to find shelter in a dense future." Deb Flomberg, The Examiner: "Judy Phelan-Hill embodies any pose as good as outspoken settlement of an uncertain as good as bashful 16-year-old girl."
Readers' preference selecting by expel of characters votes (bold indicates central winner):
1. Gabriella Cavallero, Beatriz, Curious' "26 Miles," 26.1 percent
2. Judy Phelan-Hill, Vintage's "Kimberly Akimbo," 25.3 percent
3. Rita Broderick, Victorian Playhouse's "Educating Rita," 19.7 percent
4. Pamela Clifton, The Avenue's "That Woman Show," 14.7 percent
5. Sallie Diamond, Germinal's "The Well of a Saints," 8.3 percent
Others, 5.9 percent
Supporting actor, thespian role: Jim Hunt
Role: Her Father, Curious' "Eurydice"
Representative quote: Moore: "Director Chip Walton's expel delivers a single painful impulse after an additional – led by Hunt as Eurydice's father devising giving his mislaid daughter divided during her wedding." Westword's Juliet Wittman: "Hunt is a father everybody wishes they had." Bob Bows: "To live in a underworld, nonetheless conflict a enticement to dull oneself opposite detriment whilst progressing one's romantic ties to a living, requires a special kind of love, as evinced by Jim Hunt as Eurydice's father."
Readers' preference selecting by expel of characters votes (bold indicates central winner):
1. Jim Hunt, Curious' "Eurydice," 30.2 percent
2. Ben Dicke, Aurora Fox's "The Skin of Our Teeth," 22.7 percent
3. Warren Sherrill, Paragon's "The Winterling," 15.9 percent
4. Ben Bonenfant, TheatreWorks' "Our Town," 13.9 percent
5. Mark Pergola, Curious' "Eurydice," 12.4 percent
Others, 4.9 percent
Supporting actress, thespian role: Jamie Ann Romero
Role: Ophelia, Colorado Shakespeare Festival's "Hamlet"
Representative quotes: Moore: "The stately Jamie Ann Romero creates for a comfortless Ophelia who gets snuffed out similar to a midsummer firefly – though not until after ripping her hair out (… which is severely great)." Mark Collins, Boulder Daily Camera: "There have been multiform important performances, though it's Romero's Ophelia which unequivocally pierces a air. Innocent as good as flowering, afterwards ravaged as good as extravagantly vulnerable, Romero's Ophelia embodies a salary of Denmark's sins. Her emotionally exposed last moments have been a wakeup call: There have been consequences to be had in this heartless world." The Examiner's Brad Weismann: "Romero's Ophelia slides convincingly from prudery in to madness."
Readers' preference selecting by expel of characters votes (bold indicates central winner):
1. Elizabeth Watt, Thyona, Aluminous Collective's "Big Love," 26.1 percent
2. Jamie Ann Romero, Colorado Shakespeare Festival's "Hamlet," 21.7 percent
3. Megan Van De Hey, Aurora Fox's "The Skin of Our Teeth," 19.6 percent
4. Misha Johnson, Arvada Center's "The Crucible," 19.1 percent
5, Kendra Crain-McGovern, Miners Alley Playhouse's "Enchanted April," 12.0 percent
Others, 1.5
Supporting actor, low-pitched role: Scott Beyette
Role: William Barfée, Boulder's Dinner Theatre's "The 25th Annual Putnam County Spelling Bee"
Representative quote: Moore: "What many finished me call this year: Scott Beyette responding, "I know!" any time his sad-sack Barfée is told he's spelled a word correctly. Beyette's full operation was upon arrangement this year, seamlessly morphing from this droopy child who spells with a sorcery feet (despite a singular mucous-membrane disorder), in to a Gene Kelly purpose in 'Singin' in a Rain.' " Juliet Wittman, Westword: "Best of all is Scott Beyette. His William Barfée is definitely ridiculous, as good as nonetheless someway we ache for this dumb kid."
Readers' preference selecting by expel of characters votes (bold indicates central winner):
1. Josh Kellman, Major General Stanley, Rocky Mountain Rep's "The Pirates of Penzance," 31.7 percent
2. Daniel Herron, Arvada Center's "Miss Saigon," 18.6 percent
3. Jeffrey Roark, Arvada Center's "Evita," 18.2 percent
4. Kenny Moten, Carousel Dinner Theatre's "Rent," 15.5 percent
5. Scott Beyette, Boulder's Dinner Theatre's "The 25th Annual Putnam County Spelling Bee," 13.2 percent
Others, 2.8 percent
Supporting actress, low-pitched role: Alison Luff
Role: Olive, Theatre Aspen's "The 25th Annual Putnam County Spelling Bee"
Representative quote: Moore: "In this shrewd as good as wickedly droll musical, adult actors comically dope around immature kids who have been shop-worn by adults. The saddest being Olive Ostrovsky, an uncertain latchkey child whose whose mother is off vital in an ashram in India as good as her dad's … well, busy. When we see Olive played by an adult, we mostly never see a mislaid essence of a child upon stage; rsther than usually a severely funked-out adult actor. And it roughly never works. Theatre Aspen's Alison Luff authorised us to see, usually once in a while, which slight smile, an eye wink to remind us which Olive is still a kid, a single with a spark of similar to a child consternation remaining. It's a disproportion in in in between saying a wonderful, carefree opening as good as a single which is incongruously forbidding for this musical. Luff got it right."
Readers' preference selecting by expel of characters votes (bold indicates central winner):
1. Margie Lamb, Meredith Parker, Town Hall Arts Center's "Bat Boy," 26.9 percent
2. Hannah Duggan, Buntport's "Seal. Stamp. Send. Bang.," 22.8 percent
3. Shaina Wexler, Performance Now's "Fiddler upon a Roof," 18.3 percent
4. Ciarra Teasley, Shadow's "Smokey Joe's Café," 16.6 percent
5. Alison Luff, Theatre Aspen's "The 25th Annual Putnam County Spelling Bee," 12.9 percent
Others, 2.5 percent
Supporting actor, comedic role: Michael Kane
Role: Blunt, TheatreWorks' "The Lying Kind"
Representative quote: Moore: "In a small comic gem from a finish of 2008, Kane played a single of dual amicable English constables charged with revelation an aged integrate their daughter has been killed in a trade collision upon Yuletide Eve. And it usually gets worse after that. Very shortly a dual well-meaning officers have been utterly over their heads. Kane helped conduct to keep this this horrible grounds light as good as belly-achingly droll with a winning opening evoking a wide-eyed Michael Palin. Kane finished shouting during people's miseries during a legal holiday deteriorate a pristine joy."
Readers' preference selecting by expel of characters votes (bold indicates central winner):
1. Nicholas Barth, Giuliano, Aluminous Collective's "Big Love," 30.6 percent
2. Wayne Kennedy, Boulder's Dinner Theatre's "The 25th Annual Putnam County Spelling Bee," 28.1 percent
3. Bob Moore, Miners Alley Playhouse's "Over a River as good as Through a Woods," 16.8 percent
4. Thaddeus Valdez, Colorado Springs Fine Arts Center's "Lend Me a Tenor," 13.1 percent
5. Michael Kane, TheatreWorks' "The Lying Kind," 9.9 percent
Others, 1.5 percent
Supporting actress, comedic role: Joan Bruemmer
Role: Lydia, Aluminous Collective's "Big Love"
Representative quote: Moore: "In a Greek story where 50 sisters have been sole in to neglected marriages, a single integrate is positively unfailing to tumble in to a real, abiding (and thus complicating) love. Here it's Lydia as good as Nikos, played by Joan Bruemmer as good as David Ortolano in performances infused with heart." Mark Collins, Boulder Daily Camera: "In a single scene, Mikos suggests a dual could take upon a correct courtship, though Lydia explains her reservations about descending in love. She says, when we tumble in love, 'it's as good late to set conditions.' In Mee's script, a theatre ends with a transformation by Bach as good as a 'long, long, honeyed dance.' Aluminous, instead, puts Bruemmer as good as Ortolano in drum skates, as good as a dual rivet in a dizzying, lovely dance which includes a chandelier. That preference gets during a disturb as good as precariousness of those changed moments we tumble for another."
Readers' preference selecting by expel of characters votes (bold indicates central winner):
1. Anne F. Butler, Toinette, Creede Rep's "The Imaginary Invalid," 34.2 percent
2. Joan Bruemmer, Aluminous Collective's "Big Love," 25.0 percent
3. Hannah Duggan, Buntport's "The Squabble," 17.8 percent
4. Julia Perrotta, The Avenue's "Die, Mommie, Die!" 17.1 percent
5. Jane Shirley, The Avenue's "Santa's Big Red Sack," 5.8 percent
Others, 0.1 percent
Solo performance: Steven Burge
Role: Sam (and 33 others), Aurora Fox's "Fully Committed"
Representative quote: Moore: " 'Fully Committed' is what five-star restaurants contend when they meant booked-up. It's additionally a many appropriate probable outline for singer Steven Burge's enterprising as good as downright opening in Becky Mode's one-man dope around of a same name. Burge plays Sam Peliczowski, a honeyed though souring immature low grown who's stranded manning a allege booking line during a sizzling New York grill that's requisitioned plain months in advance. And, over a play's 90 minutes, a some-more than thirty fractious socialites, luminary handlers, family members as good as co-workers who mystify as good as irritate his life. Sometimes 4 during a time. It's similar to a food quarrel with words. It's an huge behaving challenge, as good as Burge, a single of a many intrepid comic actors in town, succeeds in ways you'd slightest consider – by fast though quietly rebellious any task, patiently operative his approach from a single winning impulse to a next."
Readers' preference selecting by expel of characters votes (bold indicates central winner):
1. Rene Marie, U'dean Morgan, Crossroads' "Slut Energy Theory," 35.3 percent
2. Mare Trevathan, Lake Dillon Theatre Company's "The Good Body," 23.8 percent
3. Steven Burge, Aurora Fox's "Fully Committed," 21.2 percent
4. Thaddeus Phillips, Lucidity Suitcase Intercontinental's "Microworld(s)," 8.6 percent
5. Rebecca Buric, Manitou Art Theatre's "Signature," 8.0 percent
Others, 3.1 percent
Younger actor: Ellie Schwartz
(Must not nonetheless be eighteen upon opening night)
Roles: Betty Paris, Arvada Center's "The Crucible" as good as Scout, Colorado Shakespeare Festival's "To Kill a Mockingbird"
Representative quote: Moore. "Twelve-year-old Ellie Schwartz is a small kind of smashing as immature Scout. This is a lady who progressing this year cold audiences to a bone as which dumbstruck small rascal Betty Parris in a Arvada Center's 'The Crucible.' That she transforms so simply in to a motherless, acid hoyden of 'To Kill a Mockingbird' shows a conspicuous operation for any actress. Combined with her work in a Denver Center's "A Yuletide Carol," Schwartz scarcely managed to obstacle an Ovation Award assignment for many appropriate year by an singer – of any age."
Director of a play: Jane Page
Play: Colorado Shakespeare Festival's "To Kill a Mockingbird"
Representative quote: Moore: " 'Mockingbird' is a masterpiece, remarkably presented here by executive Jane Page, who knocked dual particular, huge hurdles out of a park. First, this is a dope around which for a many partial rises or falls upon a shoulders of a contingent of tykes whose lungs have not nonetheless grown a genius to fill a vast, 1,004-seat, outside Mary Rippon Amphitheater. So not usually did Page have to awaken real, full-blooded performances out of children, though view or precociousness, hers additionally became a initial prolongation in a Colorado Shakespeare Festival's 52 years in which all principal actors wore physique mics. Facilitating which prolonged owing bit of swell was estimable of an Ovation Award all by itself. What an unusual happiness to not aria to collect up any word from 10 rows away. To listen to soft-spoken favourite Atticus Finch not once have to misuse his impression by raising his voice. To see (and hear) a dope around as it was meant to be seen as good as heard, whilst sitting underneath stately summer skies."
Readers' preference selecting by expel of characters votes (bold indicates central winner):
1. Jane Page, Colorado Shakespeare Festival's "To Kill a Mockingbird," 27.9 percent
2. John Arp, Miners Alley Playhouse's "The Visitor," 24.5 percent
3. Christy Montour-Larson, Curious' "Rabbit Hole," 18.2 percent
4. Brian Freeland, LIDA Project's "Joseph K," 16.7 percent
5. Ed Baierlein, Germinal's "The Eccentricities of a Nightingale," 6.5 percent
6. Colleen Mylott, Aluminous Collective's "Big Love," 2.3 percent
Others, 3.9 percent
Director of a musical: Rod Lansberry
Musical: Arvada Center's "Miss Saigon"
Representative quote: Moore: " 'Miss Saigon' is a insubordinate East-meets-West cocktail uncover by a makers of 'Les Miserables,' a Arvada Center's turning point season-opener from '08. And all about executive Rod Lansberry's newer philharmonic seems an practice in commanding …. himself. And he does: 'Miss Saigon' is an even incomparable melodramatic accomplishment. Even if it's not utterly as good theater." Deb Flomberg, The Examiner: "The hurdles which Lansberry faced in this prolongation contingency have been numerous. From expel of characters a mostly racial uncover to pulling together a immeasurable garb expel to removing which helicopter theatre usually right, he patently had his work cut out for him. 'Miss Saigon' is a pleasant feat for a Arvada Center."
Readers' preference selecting by expel of characters votes (bold indicates central winner):
1. Steve Wilson, PHAMALy's "Man of La Mancha," 31.3 percent
2. Rod Lansberry, Arvada Center's "Miss Saigon," 20.6 percent
3. Steven Cogswell, Candlelight Dinner Playhouse's "Phantom," 16.5 percent
4. Kurt Terrio, Carousel Dinner Theatre's "Rent," 14.2 percent
5. Robert Wells, Town Hall Arts Center's "Oklahoma," 12.0 percent
Others, 5.4 percent
Ensemble: Aurora Fox's "The Skin of Our Teeth"
Readers' preference selecting by expel of characters votes (bold indicates central winner):
1. Arvada Center's "Joseph as good as a Amazing Technicolor Dreamcoat," 22.8 percent
2. Carousel Dinner Theatre's "Rent," 18.6 3.0 percent
3. Curious' "Eurydice," 17.7 3.0 percent
4. Aurora Fox's "The Skin of Our Teeth," 15.9 percent
5. Curious' "Ameriville," 11.5 3.0 percent
6. Aluminous Collective's "Big Love," 3.0 percent
Others, 10.5 percent
Scenic pattern
Brian Freeland, LIDA Project's "Joseph K"
Representative quote: Moore: "The LIDA Project's 'Joseph K,' a vivid brand brand brand brand new instrumentation of Franz Kafka's 'The Trial,' plays out in a reasonably vast, industrial void of a downtown Denver warehouse. The song is dour, a lighting broods, a fume builds. Behind a scrim is a large appliance shortly suggested to be a 14-foot tellurian hamster circle finished of iron rods as good as meshed chain-link fence. We have been inside Kafka's head, as good as this circle is a machine which powers it. It's a undiluted equipment for revelation a story which explores a middle workings of a writer many appropriate good known for which bad corrupt who's remade overnight in to a huge pest."
Costumes: Chris Campbell
Arvada Center's "Joseph as good as a Amazing Technicolor Dreamcoat"
Lighting: Shannon McKinney
Curious' "Eurydice"
Sound: Kevin Dunayer
Colorado Shakespeare Festival's "To Kill a Mockingbird"
Choreography: Jennifer Kemp as good as Jeff Duke
Rocky Mountain Rep's "All Shook Up"
Children's production: Arvada Center's "Honk"
Readers' preference selecting by expel of characters votes (bold indicates central winner):
1. Arvada Center's "Honk," 41.4 percent
2. Buntport's "Trunks," 34.3 percent
3. Denver Children's Theatre's "Golden Goose," 23.1 percent
Others, 4.2 percent
Actor in a children's play: Amanda Earls
Plays: Arvada Center's "Just So" as good as "Honk"
Readers' preference selecting by expel of characters votes (bold indicates central winner):
1. Amanda Earls, Arvada Center's "Just So" as good as "Honk," 36.7 percent
2. Mitch Slevic, Buntport's "Trunks," 35.5 percent
3. Seth Caikowski, Arvada Center's "Honk," 26.6 percent
Others, 1.2 percent
Special feat Ovation Award winners
• Jeffrey Nickelson, a owner of Shadow Theatre Company who died Sept. 5, is a initial post-mortem target of a Lifetime Achievement Ovation Award.
• With "Radio Golf," a DCTC's Israel Hicks became a initial executive in a universe to helm a finish Aug Wilson cycle for a single company.
• The University of Denver fabricated a expel of some-more than thirty (including Gov. Bill Ritter) to benefaction a staged celebration of a mass of a newly combined addition to "The Laramie Project," destined by Rick Barbour.
• TheatreWorks brought acclaimed New York executive Ping Chong to Colorado Springs to rise as good as theatre "Invisible Voices: New Perspectives upon Disability" — genuine stories combined as good as achieved by infirm Colorado residents.
• Comedian Edith Weiss helped PHAMALy expel members write as good as perform "Vox Phamilia," their own ungodly blueprint humerous entertainment about vital with disabilities.
• The Denver Center's ongoing Galleria Theatre hit, "Girls Only," with all rights reserved out, with a brand brand brand brand new prolongation in Iowa as good as arriving ones in Canada as good as North Carolina.
• The Buntport garb staged a blending parable, "The Squabble," wholly in a specifically assembled sand pit.
• Prolific low-pitched executive Donna Debreceni co-wrote strange song for Backstage's "Office Space," helmed 10 musicals for PHAMALy, Town Hall Arts Center, Magic Moments as good as a Avenue Theater — as good as played keyboards for Arvada Center's "Miss Saigon."
• Todd Debreceni was respected for a special makeup goods he combined for PHAMALy's "Man of La Mancha."
CATEGORY 2: BEST OF DENVER CENTER THEATRE COMPANY
2009 Denver Post Ovation Award winners, many appropriate of a Denver Center Theatre Company as good as inhabitant tours. Categories for a many appropriate of a internal dope around companies have been enclosed in a apart slideshow during a tip of this page.
Best production: "The Voysey Inheritance"
Representative quote: Moore: " 'The Voysey Inheritance' is a income dope around about trusts as good as principals. It's additionally a family dope around about … certitude as good as principles. Set in 1905, "Voysey" is a distressingly timely story about a suave, shop-lifting aged Brit who has built an huge happening hidden his clients' collateral as good as speculating it for his own gain. Understanding how he got divided with this intrigue for thirty years will be sadly distinct for a la mode audience, appreciate we Bernie Madoff. This surprisingly fascinating chronicle (adapted by David Mamet) is set wholly in an exuberant vital room, where we initial see how a man's wife, 6 grown immature kids as good as many appropriate crony (and greatest investor) live in grand opulence. Ignorance? That's a tougher call."
Readers' preference (based upon 2,114 singular online voters):
1. "A Raisin in a Sun," 20.7 percent
2. "Well," 13.2 percent
3. "Quilters," 9.7 percent
3. "A Yuletide Carol," 9.7 percent
5. "Radio Golf," 8.0 percent
6. "The Voysey Inheritance," 7.9 percent
7. "A Prayer for Owen Meany," 7.4 percent
8. "Richard III" twenty-eight 6.1 percent
9. "Sunsets as good as Margaritas" twenty-seven 5.9 percent
10. "Absurd Person Singular" twenty-three 5.1 percent
11. "Dusty as good as a Big Bad World," 3.6 percent
12. "Inana," 2.7 percent
Best year by an actor: Sam Gregory
The year: "Dusty as good as a Big Bad World" (Nathan), "A Prayer for Owen Meany" (Rector), "The Voysey Inheritance" (Edward) as good as "A Yuletide Carol" (Bob Cratchit). Note: Gregory additionally starred in a Colorado Shakespeare Festival's "To Kill a Mockingbird."
Representative quote: Moore: "In 'Voysey,' Gregory's Edward arcs from a jarred as good as unsure son in to a strong moralist who wears his dignified restraint as a pinned token of courage." Bob Bows: "Gregory is stellar as a not good with words as good as deeply conflicted Edward, low upon principles, though compromised by faithfulness to his relatives as good as siblings." Bows upon "Dusty:" "Gregory revels in Nathan's contradictions and, with exquisite timing, his quick thoughts as well." Bows upon "A Yuletide Carol": "Where to begin with so many excellent actors? Sam Gregory's in contact with opening as Bob Cratchit."
Readers' preference selecting by expel of characters votes (bold indicates central winner):
1. Sam Gregory, 47.9 percent
2. John Hutton, 33.1 percent
3. Randy Moore, 19.0 percent
Best year by an actress: Kathleen M. Brady
The year: "Richard III" (Duchess of York), "A Prayer for Owen Meany" (cook), "Quilters" (Sarah), "The Voysey Inheritance" (Mrs. Voysey) as good as "Well" (Ann)
Readers' choice:
1. Kathleen M. Brady, 65.3 percent
2. Jeanne Paulsen, 34.7 percent
To review a finish story upon Kathleen M. Brady, click here.
Best singer in a play: Russell Hornsby
The role: Walter Younger, "A Raisin in a Sun"
Representative quote: Moore: "The despondency of inconsistency is many wrenchingly clear in Hornsby's substantial description of Walter, a caged animal unqualified of upon condition which for his family. A lifetime of mercantile emasculation as good as a single after another injustice has remade this male in to weaponless soldier plentiful with sourness as good as self-loathing. Yet many of his failings as a male have been his own doing: He's uneducated; a drunk. He has no commercial operation astuteness as good as is vicious to those who adore him most. He is blind with 'want,' notwithstanding small justification he's finished many to merit anything. But desert is a illness which infects many any heart."
Readers' preference selecting by expel of characters votes (bold indicates central winner):
1. Sam Gregory, "The Voysey Inheritance," 38.8 percent
2. Russell Hornsby, "A Raisin in a Sun," 37.8 percent
3. Michael Wartella, "A Prayer for Owen Meany," 22.9 percent
Others, 0.5 percent
Best singer in a play: Marlene Warfield
The role: Lena Younger, "A Raisin in a Sun"
Representative quote: Moore: "Most estimably, a radiant Warfield shows us an unassailable small lady whose participation in this home – as good as upon a theatre – is regularly incomparable than life." Juliet Wittman, Westword: "As portrayed by Marlene Warfield, Lena is unrelenting as good as self-righteous – we can see where a small of her son's distrust comes from. You never disbelief a affability during her core, however." Bob Bows: "Marlene Warfield finds a glow in a aged woman's knowledge as good as regularly ignites us with which aged time righteousness, a voice of a soothsayer which exemplifies a lyricism of Hansberry's dialogue."
Readers' preference selecting by expel of characters votes (bold indicates central winner):
1. Marlene Warfield, "A Raisin in a Sun," 42.7 percent
2. Kathleen M. Brady, "Quilters," 40.9 percent
3. Charlotte Booker, "Dusty as good as a Big Bad World," 15.9 percent
Others, 0.5 percent
Supporting singer in a play: John Hutton
The role: Major Booth Voysey, "Absurd Person Singular"
Readers' preference selecting by expel of characters votes (bold indicates central winner):
1. Mike Hartman, "A Raisin in a Sun," 49.9 percent
2. John Hutton, "Absurd Person Singular," 31.2 percent
3. Michael Winters, "The Voysey Inheritance," 19.0 percent
Supporting singer in a play: Kathleen M. Brady
The role: Ann Kron, "Well"
Readers' preference selecting by expel of characters votes (bold indicates central winner):
1. Kim Staunton, "A Raisin in a Sun," 44.2 percent
2. Kathleen M. Brady, "Well," 42.0 percent
3. Dana Acheson, "The Voysey Inheritance," 13.8 percent
To review a finish story upon Kathleen M. Brady, click here.
Director: Bruce K. Sevy, "A Prayer for Owen Meany"
Scenic design: David M. Barber, "Richard III"
A note upon a Denver Center Theatre Company
The Denver Post believes it is many appropriate to respect a many appropriate work of a Tony-winning Denver Center Theatre Company (with about a $10 million annual budget) in a apart multiplication from a alternative companies, a small with budgets of usually a couple of hundred dollars.
CATEGORY 3: BEST OF THE NATIONAL TOURING PRODUCTIONS
Best production: "Spring Awakening"
Representative quote: Turns out a groundbreaking stone low-pitched "Spring Awakening" didn't permanently, essentially shift Broadway overnight, as many of us hoped. But 3 years later, roving city to city, it's still profoundly becoming different lives any night. Speaking with an supernatural distinctness about a fundamental, frightening sermon of tellurian passage, "Spring Awakening" is not usually for 16-year-olds, though additionally for any a single who remembers being 16. Many demeanour to dope around for an shun in to lost worlds. Others find a small gushing which competence assistance them have obligatory clarity of their own treacherous lives. Almost never does a single square grasp both. "Spring Awakening" has a intensity to stroke audiences which way.
Readers' preference selecting by expel of characters votes (bold indicates central winner):
1. "Spring Awakening," 50.4 percent
2. "August: Osage County," fourteen percent
3. "Wicked," 13.6 percent
4. "Spamalot," 5.4 percent
5. "The Phantom of a Opera," 3.7 percent
6. "Rent," 3.5 percent
7. "A Bronx Tale," 2.0 percent
7. "Chicago," 2.0 percent
9. "Riverdance," 1.9 percent
10. "Rain: A Tribute to The Beatles," 1.4 percent
11. "Chitty Chitty Bang Bang," 0.9 percent
12. "Cirque Eloize," 0.7 percent
13. "The Color Purple," 0.6 percent
14. "Copperfield," 0.5 percent
15. "Tang Concubines," 0.0 percent
Best actor: John Cudia
The role: The Phantom, "The Phantom of a Opera"
Representative quote: Moore: Cudia is some-more vulnerable, reduction indignant as good as thus some-more civilizing as good as multifaceted than prior Phantoms. That creates his operation of emotions distant some-more vast: He's during times petty, callous, mentoring, pining, even impersonal murderous. And yet, we similar to him (think Ted Bundy, with a good voice). His disfigured passing from a single to another from angel of song to angel of genocide is disturbingly knowable, positively brave, even a bit admirable. You adore someone? Well, we can't get what we don't go after. So what if a couple of oafs get offed along a way? Those shades of a exposed heart additionally assistance a pretentious Trista Moldovan broach a some-more entirely fleshed, even la mode Christine. We can see because she's drawn to this bad child who's so clinging to her. And when The Phantom woos Christine to "Music of a Night" – Cudia attack a operation of records no tellurian should be means to strike – she's as entirely enchanted as a world's many important understudy."
Readers' preference selecting by expel of characters votes (bold indicates central winner):
1. Anthony Rapp, Mark, "Rent," 48.2 percent
2. Chazz Palminteri, himself, "A Bronx Tale," 25.6 percent
3. John Cudia, The Phantom, "The Phantom of a Opera," 15.3 percent
4. Jake Epstein, Melchior, "Spring Awakening," 10.7 percent
Others, 0.2 percent
Best actress: Estelle Parsons
The role: Violet, "August: Osage County"
Representative quote: At 81, Parsons ("Bonnie & Clyde" as good as "Roseanne") is sixteen years
too aged for a role, which is refreshing. After all, how mostly do we get to contend which about an singer in a lead role? Yet she's
astonishing, initial in late-night scenes when a pills spin her debate incoherent, as good as again during a cooking table, where she delivers a single of a many satirical theatre speeches of all time. In it, she reveals how she became this hardened. It's an event for magnetism – though instead she leaves
no a single during a list unscathed.Violet knows all, as good as she whips out her daggers as good as flings them when they will do limit damage. What creates her so haunting, nerve-racking as good as musical is which she's additionally a many honest chairman in a room. She's a rare, truth-telling criminal who will contend it to your face."
Readers' preference selecting by expel of characters votes (bold indicates central winner):
1. Estelle Parsons, Violet, "August: Osage County," 49.3 percent
2. Trista Moldovan, Christine, "The Phantom of a Opera," 18.7 percent
3. Phyre Hawkins, Celie, "The Color Purple," 16.8 percent
4. Christy Altomare, Wendla, "Spring Awakening," 14.4 percent
Others, 0.8 percent
Supporting actor: Taylor Trensch
The role: Moritz, "Spring Awakening"
Readers' preference selecting by expel of characters votes (bold indicates central winner):
1. Taylor Trensch, Moritz, "Spring Awakening," 71.7 percent
2. Paul Vincent O'Connor, Charlie, "August: Osage County," 16.1 percent
3. Justin Johnston, Angel, "Rent," 12.2 percent
Supporting actress: Felicia P. Fields
The role: Sofia, "The Color Purple"
Readers' preference selecting by expel of characters votes (bold indicates central winner):
1. Libby George, Mattie Fae, "August: Osage County," 46.1 percent
2. Felicia P. Fields, Sofia, "The Color Purple," 27.3 percent
3. Anika Ellis, Shug, "The Color Purple," 26.6 percent
A note upon a 2009 Denver Post Ovation Awards
Nominations were culled from a 159 productions by 63 companies celebrated by 6 Denver Post member in 2009. The winners were dynamic by dope around censor John Moore. Shows contingency have been seen in in in between Dec. 10, 2008, as good as Dec. 6, 2009, as good as not formerly staged by a same association inside of 6 years.
A note upon a readers' preference balloting
A sum of 2,114 singular readers responded to an online consult of their favorites from 2009. The consult was assembled not to accept some-more than a single list per I.P. address. Not all readers voted in any category. Readers were authorised to write-in un-nominated favorites, though write-ins for incompetent possibilities were tossed out. The tip vote-getters from a readers' consult have been not a central Ovation Award winners.
Read some-more upon a blog
John Moore addresses reader questions about a Ovation Awards in his dual many new blog items. Go there by clicking right here.
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